Tom Early

In Lesson 5 he says that the Versions thumbnail updates as he grades the shot, but the thumbnail only reflects operations performed on the base layer, which isn't much use.

In Lesson 5 he says that the Versions thumbnail updates as he grades the shot, but the thumbnail only reflects operations performed on the base layer, which isn't much use.

Lesson 15 at 1:05 - the entirety of the 0-100 luminance range is actually mapped between the values of 50 and 75 in the luminance qualifier, so you incorrectly identify where the highlights/midtones/shadows fall here.

Just watched the Avid video, and having read a comment about Premiere, it's really important to talk about getting audio from these programs into Resolve instead of just video only, and any problems you will face. Don't know about Resolve 15, but in 16 any stereo audio from Avid will be dual mono in Resolve and you will have to manually replace it. Things like that should be mentioned. Edit: scratch that, this is about conforming video for grading/finishing, not transferring edits to do more editing in Resolve. Ignore me.

Better still, use Difference instead of Overlay.

Good luck to anyone grading HDR content...