Daphne FilmLight

Our next webinar is 'Store, Render, Automate with FilmLight' Thursday May 21, 18:00 BST We dive into the latest hardware & software solutions that we offer to expand storage, render, automation & productivity strategies in post. Register now: https://register.gotowebinar.com/register/3158673013083841040?source=Twitter

Join colourist Raúl Lavado for an introduction to Baselight, FilmLight’s colour grading, VFX and finishing solution. This one-hour live webinar covers the core fundamentals of colour grading, colour space and media management in Baselight. . Project creation in Baselight . Introduction to the user interface and workspaces . Media import and scene navigation . Introduction to colour space management . Baselight most popular Baselight tools During this educational session, Raul will guide colourist apprentices using Baselight STUDENT, FilmLight’s software-only macOS application developed for training purposes Register here: https://attendee.gotowebinar.com/register/4400053525954356235 +++ Iniciación a BASELIGHT, seguido de Q&A Martes, Abril 21. 12:00 CDT Únase al colorista Raúl Lavado Verdu para una introducción a la corrección de color en Baselight, VFX y la solución de acabado de FilmLight. Este webinar en vivo de una hora cubre los fundamentos básicos de la corrección de color, Etalonaje, gestion y administracion de color en Baselight. . Creación de proyectos en Baselight . Introducción a la interfaz de usuario y espacios de trabajo. . Importación de medios y navegación de escena . Introducción a la gestión del espacio de color. . Baselight más populares Baselight herramientas . Panel de Render Durante esta sesión educativa, Raúl guiará a los coloristas utilizando Baselight STUDENT, la aplicación macOS de FilmLight desarrollada con fines de capacitación y entrenamiento. https://attendee.gotowebinar.com/register/4400053525954356235

Jim Bracher, Senior Colourist at Youngster in London, is joined by VFX Artist Robin McGloin to showcase their collaboration on recent projects. https://vimeo.com/391271883

https://bit.ly/2TDUhU4 Rejoignez nous le 28 Janvier à partir de 14h pour des sessions dédiées à tous les créatifs et techniciens en production et post-production ; et en soirée autour d’un cocktail dinatoire au ‘Nord Marais’ privatisé pour l’occasion. -------- Nos spécialistes workflow, Matthieu Straub et Thomas Eberschveiler, dévoileront les nouveaux outils couleur des solutions FilmLight tel que l'outil de correction de déformations optique, le nouveau Hue Angle, la nouvelle version de T-Cam, une introduction à l’API FilmLight, et la gestion des versions VFX dans le Baselight. Nos invités partageront leur expérience de terrain: Dans un premier temps, l’étalonneur Stéphane Azouze présentera le documentaire à venir ‘Woman' bientôt en salles, et discutera de sa collaboration avec les metteurs en scène Anastasia Mikova et Yann Arthus-Bertrand, ainsi que de son travail sur Baselight. Puis Florine Bel, ‘colour scientist’, parlera de son expertise de l’image, avec un focus sur le développement de l’esthétique du film, les espaces couleurs et leurs conversions.

Improving production processes and enhancing pictures with efficient renderless workflows, with Colourist Stephen Edwards, Finishing Editor Tom Chittenden and Head of Post Production David Williams:

With a live presentation on stage from FilmLight Colourist and Workflow Specialist, Andy Minuth, you can explore some of the next-generation tools in Baselight v5 for colour grading and spatial shaping, and discover why the colourist community has adopted them:

Meet with French Digital Imaging Technician Karine Feuillard ADIT, who worked on the latest Luc Besson film ‘Anna’ as well as the TV series ‘The Marvelous Mrs Maisel’, and FilmLight Workflow Specialist Matthieu Straub.

Coding of sensory information changes depending on the stimulation and the environment. Visual adaptation is a highly dynamic process, and we are continuously adapting to the current viewing context. It is continuously regulating our perception and visual experience. Understanding the process of adaptation will tell us not only about our visual system but also about the natural world, because adaptation is highly optimised for natural images. FilmLight Image Engineer Daniele Siragusano will try to put this topic into the context of content creation and colour grading for multi-delivery projects:

With Martin Tlaskal, FilmLight. In this final segment, explore the new input versioning feature in Baselight. Input versioning – either via filenames or making use of the Open Clip XML format – means that a scene can be updated with new versions of shots, providing massive time savings in quick-turnaround VFX jobs where new versions are constantly arriving:

With Martin Tlaskal, FilmLight. In this segment, find out more about the timeline improvements in Baselight. Baselight’s enhanced timeline features collapsing stacks and multiple tracks.

With Martin Tlaskal, FilmLight. In this segment, find out more about the FilmLight API, the new programming interface to the Baselight colour grading platform and Daylight, FilmLight’s dailies management and transcoding system. The FilmLight API is designed to automate common but time-consuming tasks, such as VFX transcoding and retrieving/setting metadata.

Colour on Stage: Eric Weidt Creating the unique look for ’Mindhunter’ In this video, Eric Weidt talks about his collaboration with director David Fincher – from defining the workflow to creating the look and feel of ‘Mindhunter’. Eric will break down scenes and run through colour grading details of the masterful crime thriller:

Join FilmLight and Light Iron for an introduction to Baselight, FilmLight’s color grading, VFX and finishing solution. This free one-day course covers the core fundamentals of color grading, color spaces and media management in Baselight v5. The course combines demonstrations of techniques and features as well as hands-on exercises. Register today: https://filmlightnewyork2019.eventbrite.com

At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to participate in live presentations and discussions with colourists and other creative professionals at the peak of their craft. To view the programme and register to a session: https://www.colouronstage.com

In Part 1, FilmLight's Daniele Siragusano explained the theoretical foundation of Baselight's next-generation texture tools. In Part 2, Colourist Andy Minuth puts these tools to practical use. He covers all of the features based on FilmLight's advanced frequency separation techniques: Texture Equaliser, Texture Highlight and Texture Blend. Andy showcases real-world examples and explains why the colourist community has adopted them so quickly. To watch Part 1 with Daniele Siragusano: vimeo.com/324224323 To watch Part 2 with Andy Minuth: vimeo.com/342991027

At Oxido in Mexico, Fernando Medellin grades commercials, features and television: he was in at the beginning of the color workflow for Oscar-nominated 'Roma', grading dailies for Alfonso Cuarón. In this exclusive live 'Meet The Colourist', Fernando talks about his collaborative creative work with the director and DoP on set. He also explains his grading approach on high-end commercials. Colour On Stage_ Fernando Medellin, Colorist, Oxido, Mexico.mp4

Andrea Chlebak is a senior colourist at Deluxe Entertainment Services (Encore Hollywood and EFilm), handling features, episodics and documentaries. Her recent credits include award-winning indie productions 'Mandy' and 'Prospect', Neill Blomkamp’s 'Elysium' and 'Chappie'. In this video, Andrea talks about how she works with directors and cinematographers to enhance the narrative through colour. Watch the video here: https://vimeo.com/340923423

New video showing what FilmLight was demonstrating on the show floor at NAB2019 - including the next generation grading tools in Baselight 5.2 and the upcoming 5.3 release, a first look at the new FilmLight API (allowing advanced automation for managing media and Baselight scenes using Python, Javascript or Java), and the debut of the Blackboard Classic panel. NAB2019_Highlights_graded_v2_with_titles.mp4

Register Now NAB2019 Colour Day. Monday 8 April. Renaissance Las Vegas Hotel Leading colourists will present their individual journeys in colour, as well as the creative tips they have honed over successful careers – all live on Baselight. The colourist lineup includes… Doug Delaney from Technicolor, who recently graded Captain Marvel, Andrea Chlebak and Laura Jans Fazio of Deluxe, and Oxido’s Fernando Medellin, who will explain his grading approach on high-end beauty commercials and his work on the upcoming HDR Netflix show Monarca. They'll be joined by FilmLight colour experts Daniele Siragusano and Andy Minuth. This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider production and post industry through the opportunities and challenges of modern colour pipelines, via demonstrations of the exceptional colour management and finishing toolset in the latest version of FilmLight’s colour grading system, Baselight v5. To find out more details and register for the NAB2019 Colour Day, click here: https://filmlightnab2019colorday.eventbrite.com

Save the date... NAB2019 Colour Day. Monday 8 April. Renaissance Las Vegas Hotel Leading colourists will present their individual journeys in colour, as well as the creative tips they have honed over successful careers – all live on Baselight. The colourist lineup includes… Doug Delaney from Technicolor, who recently graded Captain Marvel, Andrea Chlebak and Laura Jans Fazio of Deluxe, and Oxido’s Fernando Medellin, who will explain his grading approach on high-end beauty commercials and his work on the upcoming HDR Netflix show Monarca. They'll be joined by FilmLight colour experts Daniele Siragusano and Andy Minuth. This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider production and post industry through the opportunities and challenges of modern colour pipelines, via demonstrations of the exceptional colour management and finishing toolset in the latest version of FilmLight’s colour grading system, Baselight v5. Full details will be available soon. Pre-register now for early access to booking – just fill out the form to the right: https://www.filmlight.ltd.uk/news/events/20190408_nab.php

Festival de cine de GuadalajaraAMTEC EDU, CHEMISTRY and FILMLIGHT will take part on the 3rd Latin American Cinematographers Forum within the Guadalajara Film Festival in Mexico, it will be held from Wednesday 13th to Friday 15th, March 2019, within the Industry activities of the Guadalajara International Film Festival. We sincerely appreciate your interest and participation in this meeting between promising novice cinematographers and film industry professionals, where your valuable experience in the field will be key in training and strengthening the skills of our participants.Here you will find the details of your workshop:- 'From Scene to Screen'Workshop by Andy MinuthMarch, Wednesday 13th16:00 hrs.Essay Room, Performing Arts Center (CAE)- 'On-Set Look Development'Workshop by Andy MinuthMarch, Thursday14th17:00 hrs.Essay Room, Performing Arts CenterFrancisco Monje, LATAM Sales Director and Andy Minuth, Colorist and Product specialist at FILMLIGHT will be present at the Press Conference and Welcoming with media invited to the film festival. This event will take place on Wednesday 13th, from 11:00 to 13:00 hrs.

Впервые в Москве! FilmLight организует мастер-классы, посвященные основам цветового менеджмента, изучению функционала и инструментов цветокоррекции Baselight! Приглашение ограничено по количеству свободных мест! После регистрации на Eventbrite, FilmLight свяжется с вами что бы подтвердить участие. Мастер-классы бесплатны и будут проводиться на английском языке с переводом на русский. ------------------- For the first time in Moscow, FilmLight will hold live presentations and practical discussions focused on color space management, look development and grading tools in Baselight. Due to limited space, we can only offer one place to one of our masterclass. During the registration, please Indicate your preferences and will be in touch to confirm your masterclass. Note that our Master classes are free and will be held in English with live translation in Russian. https://www.eventbrite.com/e/filmlight-worldwide-colour-tour-moscow-30th-31st-march-2019-tickets-58438919381

Festival de cine de Guadalajara AMTEC EDU, CHEMISTRY and FILMLIGHT will take part on the 3rd Latin American Cinematographers Forum within the Guadalajara Film Festival in Mexico, it will be held from Wednesday 13th to Friday 15th, March 2019, within the Industry activities of the Guadalajara International Film Festival. We sincerely appreciate your interest and participation in this meeting between promising novice cinematographers and film industry professionals, where your valuable experience in the field will be key in training and strengthening the skills of our participants. Here you will find the details of your workshop: From Scene to Screen Workshop by Andy Minuth March, Wednesday 13th 16:00 hrs. Essay Room, Performing Arts Center (CAE) On-Set Look Development Workshop by Andy Minuth March, Thursday14th 17:00 hrs. Essay Room, Performing Arts Center Francisco Monje, LATAM Sales Director and Andy Minuth, Colorist and Product specialist at FILMLIGHT will be present at the Press Conference and Welcoming with media invited to the film festival. This event will take place on Wednesday 13th, from 11:00 to 13:00 hrs

Initially a member of the Technicolor-PostWorks team, Mike Nuget recently branched out on his own, and he has been applying his skills in colour grading, editorial finishing, and visual effects to film, TV and documentaries. Mike shares his recent experiences live using the new Baselight 5 for Avid tools, with a focus on Base Grade, Texture Equaliser, Boost Contrast, and other new features.

Sylvain Canaux Colourist, St Louis, Paris A native Parisian, Sylvain Canaux started his career at post house St Louis where he quickly gained recognition for his work on beauty grading for high end commercials and photographers, such as Chanel, Yves St Laurent & Dior. Using Baselight v5, Sylvain illustrates the challenges of moving between colour spaces and showed how these challenges can be met through a combination of colour science and artistic skills.