nicolas horne

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Everything posted by nicolas horne

  1. thank you! i guess the BMWG was released after the course anyway
  2. for an upcoming project, either the editor (premiere) or me will be receiving film scans of about half of the media. i have no control of neither timecode or clip names. i gave the producer the advice to let the editor swap out those files (and i would give her some tips on keeping the better quality). but what would be the proper or best way to deal with this if i had to do it in resolve? (i'm a colorist, not primarily a media juggler..)
  3. my client recorded in red RAW 4K and edited in resolve using proxies. should she reconnect ('relink'?) to the RAW files and then media manage>entire project>copy only used media, then upload to me for grading in resolve? or is there a smoother way? the cource doesn't go far into collaboration scenarios
  4. my client recorded in red raw 4K and edited in resolve using proxies. should she reconnect ('relink'?) and then media manage>entire project>copy only used media, then upload to me for grading in resolve? or is there a smoother way?
  5. in lesson 9 he actually says ''a situation where the client has an EDL or XML of their timeline'' (09:05), and ''..and resolve is gonna add the edit information from the EDL or XML from that clip'' (09:30), so it's easy to get the impression that an XML can also be used in this workflow. especially since 'import AAF/EDL/XML' is right next to 'pre-conformed EDL' in the list.
  6. i have the opposite, but with the color science guy