H Kevini! Referred to lesson 6 (LUT Management)....As far as I know, before you export the 3D Lut with the look from Resolve to be used within the camera, you need to disable the last node where the IPP2 conversion from RWG/Log3G10 to Rec709/BT.1886 happens, because that conversion is then done automatically by the camera when displaying the image on the monitor. And then, if you import that Lut again in Resolve, you need to activate the last node with the conversion again. At least, that's how it think it should be done until now...I'm I wrong?
Pablo,
You are correct in that exporting a LUT out of Resolve for importing into a RED camera which supports the IPP2 color management workflow does involve disabling the ODT node in Resolve as the camera can apply the IPP2 output transform (based on the user selection) . It is important to verify you are using the same IPP2 preset transforms in Resolve as well as in camera. The IPP2 output preset 3D LUTs which can be used in Resolve are available on this Red webpage. https://www.red.com/download/ipp2-output-presets. Emily you are correct when dealing with importing a 3D LUT from Resolve to an external SDI or HDMI monitor (such as as Small HD, Atomos or other external monitor) but incorrect if importing the CDL from Resolve into a RED camera which has the ability to apply the IPP2 ODT. The specific application of any 3D LUT is important to consider as it must be understood if the CDL or LUT is for use in camera or an external monitor. Ian from Able Cine explains the entire workflow using both Pomfort Livegrade and Resolve in this excellent video tutorial.
Red Color Workflow in Redcine-X & DaVinci Resolve
in Color Grading
Pablo,
You are correct in that exporting a LUT out of Resolve for importing into a RED camera which supports the IPP2 color management workflow does involve disabling the ODT node in Resolve as the camera can apply the IPP2 output transform (based on the user selection) . It is important to verify you are using the same IPP2 preset transforms in Resolve as well as in camera. The IPP2 output preset 3D LUTs which can be used in Resolve are available on this Red webpage. https://www.red.com/download/ipp2-output-presets. Emily you are correct when dealing with importing a 3D LUT from Resolve to an external SDI or HDMI monitor (such as as Small HD, Atomos or other external monitor) but incorrect if importing the CDL from Resolve into a RED camera which has the ability to apply the IPP2 ODT. The specific application of any 3D LUT is important to consider as it must be understood if the CDL or LUT is for use in camera or an external monitor. Ian from Able Cine explains the entire workflow using both Pomfort Livegrade and Resolve in this excellent video tutorial.