Azif Ismail

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  1. Hey Sachin, I am a colorist based in Kerala. I am currently going through a similar kind of situation that you have explained here. After finishing the grade in Rec.709 pipeline I am now asked by an OTT platform to deliver the same content in Dolby Vision HD. There is a lot of confusion about the need for a Dolby vision license to deliver this(at least for me). Dolby has clearly mentioned on their website that you don't need a license for mastering Dolby Vision if you are only relying on the automated L1 metadata generation. Do you have any more insights on this based on your shared experience? Were you able to deliver your Dolby master successfully? We have a decent budget to procure hardware required for HDR workflow but procurement of license may not be practical at this point since we need to deliver the content soon. Your input on this would be of much help.