Christian Rush January 4, 2022 Share January 4, 2022 (edited) I am going to be working on a show that will be in Dolby HDR. I'm planning on using ACES so that the DIT can have an easier time with my LUT, even though I love DaVinci Wide Gamut. It seems a lot of DIT's are not accepting that yet, and they may never do so. The DP wants a fuji emulation. Of course, there's a lot of flavors of that. And every "emulation," even of the same supposed stock, is very very different. I have a few custom power grades, and I've also grabbed one or two from the Juan Melaras site based on a recommendation. To make the LUT I usually export a CUBE with the necessary nodes turned on. My plan is to then apply whichever LUT is used on set, but instead with my power grade as a compound node which I can then customize in the final sessions. I am curious to know if anyone else has a story or workflow to share to a custom LUT that can be used later in an HDR workflow. Edited January 4, 2022 by Christian Rush Link to comment Share on other sites
