Jussi Rovanperä

Premium+
 View Profile  See their activity

  • Posts

    130

  • Joined

  • Last visited

 Content Type 

Everything posted by Jussi Rovanperä

  1. Jussi Rovanperä
    I have a small delay with PCI Mini Monitor, both with Hdmi and SDI out, maybe 1 or 2 frames.
  2. Jussi Rovanperä
    You could think of the R and B channel as white balance, and G channel as tint. With printer points in Resolve you could adjust color balance by pressing (at the same time) 7 and 6 (warmer) or 4 and 9 (cooler), and then separately adjusting G for tint.
  3. Jussi Rovanperä
    pink is red, when it comes to hue only You're better off keying, because to get a good red, you need to drop the density, and the hue vs lum is not so good for doing that.
  4. Jussi Rovanperä
    And Resolve has the collaboration features already in place...
  5. Jussi Rovanperä
    You could try screen or add, those will not just replace the black, but the black will become orange.
  6. Jussi Rovanperä
    Look at the resolve panel layouts, the buttons on the panels are some of the most used features, and see what the keyboard shortcuts for those features are.
  7. Jussi Rovanperä
    The contrast control and the log controls are pretty recent addition, I think resolve 9 or 10. So before that you had only lift-gamma-gain and offset. I'm using the offset-contrast-pivot in a pretty methodological way when I'm grading on my own, but I end up resorting to lift-gain when I have a client watching and things need to move fast
  8. Jussi Rovanperä
    The yellow is replacing everything that is darker than it, in this case the whole image.
  9. Jussi Rovanperä
    Works for me...
  10. Jussi Rovanperä
    Is the color generators input connected to anything?
  11. Jussi Rovanperä
    Is "use Mac display color profile for viewers" checked in Resolve, and what color profile is selected for the monitor in the OS X settings?
  12. Jussi Rovanperä
    It's in the Resolve manual.
  13. Jussi Rovanperä
    Yes, and also color boost is applied before the primary YRGB corrections, and saturation is applied after primary YRGB corrections.
  14. Jussi Rovanperä
    Standard is 100 nits, just leave it like that.
  15. Jussi Rovanperä
    With Aces in Resolve, I usually set the contrast to 0.7 or 0.8 to start with...
  16. Jussi Rovanperä
  17. Jussi Rovanperä
    Can't you just split into two branches of corrections and blend those together with the layer mixer?
  18. Jussi Rovanperä
    The matte clip needs to be selected from the media pool. Do you want to use the same clip for 2 layers?
  19. Jussi Rovanperä
    Just duplicate the clip on the edit page.
  20. Jussi Rovanperä
    you can use node tree, bring in the other clip as matte and connect to the layer mixer.
  21. Jussi Rovanperä
    The colors are different, but with s-log -> log C transform, the tone curve will be similar (of course the quality of the files is different) Slog3 is quite similar to log C, while slog2 is very different. I always convert slog2 to cineon, log C, or some other well behaving log.
  22. Jussi Rovanperä
    Question about hard drives and still sequences: You can have performance issues If the frames are not written to the hard drive in a sequential order. That should not be an issue with SSD, right?
  23. Jussi Rovanperä
    Also TV's are way over 100nits and the viewing environments can be anything...
  24. Jussi Rovanperä
    What Doyle used on Harry Potter is the kind of spill suppression math compositors use for removing fill created by blue/green screen, but that can be used to remove other unwanted color fill as well. So the suppression math does a better job than desaturating the unwanted color. So the contrain LUT is a different thing...
  25. Jussi Rovanperä
    also keeping ctrl pressed gives you half points instead of full points.