Adrián Aragonés

Actually tiff is just a type of file, as .mov .mxf .r3d... it is not what defines the colour space of the info within. And as tiffs can be in 8 or 16bits it means that its 16bits version can have info arranged according to almost every colorspace there is, since cameras do not collect data over 16bits... Even 8 bits could be log footage, and any colourspace, the problem is the amount of colours it could reproduce with in that colourspace.

Sure thing. I use look designer since it came out and having the color management inside the plugin makes it easier.I was mainly wondering if using the p3 version inside a colour managed node pipeline makes any difference signal wise. Or since you go back from dci to sdr for the output it doesn't make much change. But I guess if I want to create sdr/p3 deliveries from the same correction, using p3 luts and colour manage them in the output is the best option, am I right? Thank you so much for the feedback. Great course!

Hello everyone! Due to Film emulation LUTS, isn't it better to choose the DCI P3 versions and CST them afterwards to rec709, or there's not much difference at the end if we need to deliver HDR afterwards for example...? Great course so far. Thanx so much!