But I guess most colorists prefer to do their main color corrections in the standalone full version of Baselight. Then you need to export files. Or am I missing something?
The Baselight-Avid workflow is probably superior, but as long as your color corrector can export MXF, you can simply set the destination to the media folder and Avid will read the files natively.
Hi. I have multiple films on a single timeline that I want to export. Do I have to add in + out points and export every film or could I automate the process?
-T