How are people using the RAW controls in grading workflows? I'm working with primarily Canon Cinema RAW Light footage and am not sure what the best approach is. I can normalise the image using the RAW controls, but bypassing them (or just adding a minimal adjustment to contrast and saturation) and grading behind the Arri Rec709 LUT seems to generate a more pleasing image, espcially when it comes to skin tones.
I'd be interested any insight.
Thanks,
Sandeep.