Jesper Hammarbäck
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Everything posted by Jesper Hammarbäck
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Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
Hi @Walter Volpatto I have 2 questions from the tac masterclass If you have 2-3 different cameras that you want to convert to Alexa colorspace, do you put the color space transform in the camera group or (timeline & clip?) And the images you used, showed for Alexa, Sony red. (grey 18) do you have them for download? You also showed a document to be able to download for information Thank you so much! Love you work! //J -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
Hi @Walter Volpatto I have 2 questions from the tac masterclass If you have 2-3 different cameras that you want to convert to Alexa colorspace, do you put the color space transform in the camera group or (timeline & clip?) And the images you used, showed for Alexa, Sony red. (grey 18) do you have them for download? You also showed a document to be able to download for information Thank you so much! Love you work! //J -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
@Stig Olsen Please more with the master Walter Volpatto!! -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
@Stig Olsen Please more with the master Walter Volpatto!! -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
Walter, about the settings in the resolve color management when you work in log. (the log space im working on) Lets say I have Alexa footage, are these settings right then for Rec709. See attached image. -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
Walter, about the settings in the resolve color management when you work in log. (the log space im working on) Lets say I have Alexa footage, are these settings right then for Rec709. See attached image. -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
hehe not for us I promise you! pleeeease -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
hehe not for us I promise you! pleeeease -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
He is the best!! I really hope he will do a masterclass -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
He is the best!! I really hope he will do a masterclass -
Color Management Workflow in DaVinci Resolve 16
Jesper Hammarbäck commented on Lowepost's course in legacy
Hi, Thanks one question. If I want to work in rec709/2.4 for tv but to match the logarithmic hero camera (the log space I'm working on) How would you setup that? -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
Hi Im wondering if you using Calman to calibrate your monitors? Do you use Rec 709 Gamma 2.4 in the Timeline Color Space in Resolve? If the client dosent ask for anything else. -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
Hi Im wondering if you using Calman to calibrate your monitors? Do you use Rec 709 Gamma 2.4 in the Timeline Color Space in Resolve? If the client dosent ask for anything else. -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
Are you often using the standard luts in Resolve like Kodak or I heard you guys making your own luts. I was wondering how you do your own luts, is it in resolve or another program? //Jesper -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
Are you often using the standard luts in Resolve like Kodak or I heard you guys making your own luts. I was wondering how you do your own luts, is it in resolve or another program? //Jesper -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
Wow! this is the holy grail! Thank you so much! 😍😀 And if I am correct you also make adjustments to the look at the "trim" node? (Only if the client wants it?) -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
Wow! this is the holy grail! Thank you so much! 😍😀 And if I am correct you also make adjustments to the look at the "trim" node? (Only if the client wants it?) -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
Hey Walter, one more hehe in the base node, do you often use the printer light or Curves? What do you prefer? //Jesper -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
Hey Walter, one more hehe in the base node, do you often use the printer light or Curves? What do you prefer? //Jesper -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
You most work in YRGB or Color managed? Or maybe ACEScct? Would love to hear how you think about the Color Management. I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4. -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
You most work in YRGB or Color managed? Or maybe ACEScct? Would love to hear how you think about the Color Management. I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4. -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's insider article in Courses
Like a dream come true! Do you often start work with a LUT (log - rec709) in timeline when you do the base grade? Where do I apply for a job Love your work! //Jesper -
Hollywood Colorist Walter (CSI) about his color grading process
Jesper Hammarbäck commented on Lowepost's course in Finishing & VFX
Like a dream come true! Do you often start work with a LUT (log - rec709) in timeline when you do the base grade? Where do I apply for a job Love your work! //Jesper -
Masterclass in color grading with John Daro
Jesper Hammarbäck commented on Lowepost's course in Color Grading Masterclasses
Would also like to know if he prefer working in aces or Davinci YRGB or color managed? -
Masterclass in color grading with John Daro
Jesper Hammarbäck commented on Lowepost's course in Color Grading Masterclasses
Thanks