Jesper Hammarbäck

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Everything posted by Jesper Hammarbäck

  1. Hi @Walter Volpatto I have 2 questions from the tac masterclass If you have 2-3 different cameras that you want to convert to Alexa colorspace, do you put the color space transform in the camera group or (timeline & clip?) And the images you used, showed for Alexa, Sony red. (grey 18) do you have them for download? You also showed a document to be able to download for information Thank you so much! Love you work! //J
  2. Hi @Walter Volpatto I have 2 questions from the tac masterclass If you have 2-3 different cameras that you want to convert to Alexa colorspace, do you put the color space transform in the camera group or (timeline & clip?) And the images you used, showed for Alexa, Sony red. (grey 18) do you have them for download? You also showed a document to be able to download for information Thank you so much! Love you work! //J
  3. @Stig Olsen Please more with the master Walter Volpatto!!
  4. Walter, about the settings in the resolve color management when you work in log. (the log space im working on) Lets say I have Alexa footage, are these settings right then for Rec709. See attached image.
  5. Walter, about the settings in the resolve color management when you work in log. (the log space im working on) Lets say I have Alexa footage, are these settings right then for Rec709. See attached image.
  6. He is the best!! I really hope he will do a masterclass
  7. Hi, Thanks one question. If I want to work in rec709/2.4 for tv but to match the logarithmic hero camera (the log space I'm working on) How would you setup that?
  8. Hi Im wondering if you using Calman to calibrate your monitors? Do you use Rec 709 Gamma 2.4 in the Timeline Color Space in Resolve? If the client dosent ask for anything else.
  9. Hi Im wondering if you using Calman to calibrate your monitors? Do you use Rec 709 Gamma 2.4 in the Timeline Color Space in Resolve? If the client dosent ask for anything else.
  10. Are you often using the standard luts in Resolve like Kodak or I heard you guys making your own luts. I was wondering how you do your own luts, is it in resolve or another program? //Jesper
  11. Are you often using the standard luts in Resolve like Kodak or I heard you guys making your own luts. I was wondering how you do your own luts, is it in resolve or another program? //Jesper
  12. Wow! this is the holy grail! Thank you so much! 😍😀 And if I am correct you also make adjustments to the look at the "trim" node? (Only if the client wants it?)
  13. Wow! this is the holy grail! Thank you so much! 😍😀 And if I am correct you also make adjustments to the look at the "trim" node? (Only if the client wants it?)
  14. Hey Walter, one more hehe in the base node, do you often use the printer light or Curves? What do you prefer? //Jesper
  15. Hey Walter, one more hehe in the base node, do you often use the printer light or Curves? What do you prefer? //Jesper
  16. You most work in YRGB or Color managed? Or maybe ACEScct? Would love to hear how you think about the Color Management. I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4.
  17. You most work in YRGB or Color managed? Or maybe ACEScct? Would love to hear how you think about the Color Management. I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4.
  18. Like a dream come true! Do you often start work with a LUT (log - rec709) in timeline when you do the base grade? Where do I apply for a job Love your work! //Jesper
  19. Like a dream come true! Do you often start work with a LUT (log - rec709) in timeline when you do the base grade? Where do I apply for a job Love your work! //Jesper
  20. Would also like to know if he prefer working in aces or Davinci YRGB or color managed?