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23 NeutralAbout Marcelo Cosme
- Birthday 03/10/1977
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Hello, I'm going to do some color grading work outside my company and the client has a 27" QHD OLED monitor (2560 x 1440) for reference. I'll be working on 2 projects, one of them in 1080p (FHD) and the other in 2160p (UHD). Currently Davinci doesn't have a QHD monitoring output. The computer is using a Decklink mini monitor 4K via HDMI. What can I do? Thanks!
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I have a question that needs to be resolved. I currently use a Decklink Mini 4K monitor with my reference monitor via the HDMI port, but I would like to have this image on an LG TV for my clients. How can I do this? Thank you!
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How do you usually clean your control panel? My hands are oily and the panel smudges. I can use isopropyl alcohol?
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Hello, since the last beta version 18.5 released on 17 Apr 2023 the Show Picker RGB Value tool is not working correctly, in my opinion "it seems" that the text uses a "wingdings" font. I use Windows 10. * NEW BETA 18.5b same bug...
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Introduction to visual effects in DaVinci Resolve Fusion
Marcelo Cosme commented on Lowepost's course in Introduction
Thanks Lee, this solved the problem! -
Introduction to visual effects in DaVinci Resolve Fusion
Marcelo Cosme commented on Lowepost's course in Introduction
Hello Lee, and all Lowepost members. I'm really learning a lot from the course, but I have a question and I would like to better understand how Fusion works with brightness and contrast nodes. Using lesson 19 (Stabilizing and tracking a mask) if I want to apply a color effect ONLY to the logo I create a color correction node and apply it after the logo node, correct? But if I apply it in the same way and work not with color, but with contrast or brightness the effect happens on the whole image, what is the reason for that? -
Hi, in series and movies you do the color grading work on the original camera files or an export for example EXR clip sequence or ProREs444 ...
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In a simple way, what formats and methods you use workflow with these programs after grading in Resolve.
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What workflow do you use to work with Avid / Nuke / Flame?
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Hi everyone. I know this subject is somewhat uncontroversial at the moment, but I'd like to know what your experience creating HDR is through Resolve. Anyone using TVs instead of monitors like the Sony X300? I use an LG B7 as the primary monitor and almost always what I see in it during grading is very different from the material on YouTube.
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Insane this structure of Volpatto. Any day, I will try to recreate to understand these relinked nodes.
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THANKS NIC
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Good morning, reading a news with the excellent Walter Volpatto, I noticed the gigantic structure of fixed nodes he uses. https://video.repubblica.it/spettacoli-e-cultura/oscar-e-italiano-il-mago-dei-colori-di-hollywood-da-star-wars-a-green-book-cosi-creo- emozioni / 327436/328037? fbclid = IwAR1D6Qfv3Wzcebhy6f4IcobJaRMnQaDGQgY5VpEeLl-aTBgF4pFlrfrwX44 Does anyone here also use something like that? If you use like and its structure? I always use a structure like this: Noise reduction, Base, Curves, Key adjustments for faces and other details (parallels), Vignette and a Fine adjustments if necessary.
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Hello. Professionally, you use LUT or always work with the clean base. Example: Movie/advertising job recorded in Arri Raw or LOG. Do you use a 3D Lut Arri_log_Rec709 or Color Space Transform or do the base zero?
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People, more questions about HDR. This time HDR10 +. I understand the operation, I understand the sidecar generated, but I still do not understand how to export and where to view HDR10 + nor YouTube or Vimeo still interprets, am I correct?