Emily Haine

What is texture to you? 

Sometimes you can deal with spill or bad edge details by doing a garbage matte around the problem area followed by a second pass to take care of what was left in the first pass. Other times it's not possible to do a clean enough key and roto is the only option. 

Good evening everyone. What is your favorite movie? 😊

Connect the high resolution screen back in to change the resolution.

I would think that highlight controls will do exactly that, but @cameronrad could might elaborate more on that?

William, the Warper tool seems promising. Do you know if it's possible to lock points in a way that let us bend or stretch only parts of the grid while leaving the rest untouched?

Strange pattern, would guess it was related to the graphic card. Have you solved the issue?

Can't wait to give it a go, thank you so much for the detailed answers. 

Reducing midtone details is widely used on beauty spots and is a really great way of smoothing skin.

I'm generally not happy with package tools, but I have to say that I'm impressed with the new face track tool in DR when it comes to mapping lips, eyes and cheeks. The white inside the eyes could be difficult to highlight with traditional tracking but this tool analyze pretty complicated compositions and it has helped me many times.

That is so great, thank you Willian! 

In Baselight we have a tool that lets you stretch parts of the image by pulling the lines of a grid. Very useful for beauty work. Does DaVinci Resolve have a similar tool?

DNxHR here as well.

Many well established colorists in France, and lot of high-end work in all genres. Have you decided to move?

You can connect two Resolve systems by sharing IP addresses and ports. That can be done inside the apps and is a one step procedure, but it would require similar setups on both systems when it comes to conform.

If the client dosen't need to touch the controls from wherever he's watching the session, you don't need to connect the systems, simply send a live stream from your system with Streambox or a simlar tool. 

Ship and stream the session through Streambox is a common way to do 'remote'. Does not require much more than a calibrated monitor. 

I like working with analogue flares shot on black. Cinegrain got some great ones.

Djawadi is great, with mysterious depictions from the far east. Hans Zimmer for more pop modern. 

Hi everyone! Do you have experience with the Facilis Terrablock system? 

Thank you so much Andy!

I don't think that's an option, but I tend to use 'empty plates' between clips to separate versions and cut downs as that keeps my timeline better organized. This comes in handy if I receive EDL / XML's from editors with several versions on one single timeline. If I create the sequences myself I make sure to make one timeline of each version and keep track that way. 

Very interesting and comprehensive 'report', and I'm very surprised by the results.

Hi Jordan, I haven't noticed that, what does the error message say? 

On 8/31/2017 at 4:29 PM, Mazze said:

Not 100% like this, but we read the full file into memory as fast as possible and from there start the decode as fast as possible.

However, we don't need all the file data to be loaded already in order to start the decode :-) .

Does that mean DWAB is processed faster?

Layer based comp? Thought it was only the keyframe setup that was layed based?

5 hours ago, Jussi Rovanperä said:

With Scratch I get realtime (25fps) for PIZ (cpu at 80%) , 22fps for DWAA and 20fps for DWAB (cpu at 100%).

The way I thought Scratch worked was reading DWAB data by bundling all the lines which should mean increased speed. Can you comment on this @Mazze?