Marieta Farfarova

Thank you, Lynette for articulating your insights so well and for taking the time to explain the intricacies of your work. I'd love to find out more about the correct process of DCP creation and handling deliverables with different white points. Are there courses or articles covering this on Lowepost (or elsewhere)? Thank you.

Derek and Lowepost, thank you very much for this insightful masterclass. The format of sitting behind a seasoned colourist as Derek and just watching him grade and understand his thought process is invaluable. I just wish this was longer and we could see all the steps he took to complete the project! Excellent masterclass. Thank you!!

Would you be able to elaborate why feedback on Eizos is mixed? I'm considering investing in the CG319X model and it'd be great to know if there are any cons beyond the lack of SDI and safe areas mentioned in the article. As much as I'd love to go for FSI, I think DM220 is too small in terms of size and resolution. Unfortunately, they don't have any 4K 27'' options which is quite odd. Thanks for your help in advance!

This was an excellent course, I learned a lot! Thank you, Kevin. I have just a couple of questions regarding lessons 10 (Color channel mixing) and 18 (Film emulations and grain) Is there an in-depth lesson that explains how the RGB Mixer works? Or would you say it's a matter of experimenting with values to see if you can get an interesting look? My understanding is the film LUTs within Resolve expect a Cineon Log curve. Therefore, a CST should be applied prior to the 2383 LUT converting the footage from Arri LogC3 to Cineon Log in order for the LUT to work properly. Is this wrong? Thank you again for everything. Looking forward to seeing the rest of the courses on Lowepost!