COLOR GRADING
INSIGHT
Where Colorists Learn and Evolve
Print Film Emulation Workflow
This guide explains how to set up a real print film emulation worjflow in DaVinci Resolve.
Master Study in DaVinci Resolve Printer Lights
Deep dive into using ‘printer lights’ (offset) in DaVinci Resolve to adjust color balance and brightness in a clean, cinematic way.
Show LUT Design in DaVinci Resolve
Learn to design Show LUTs for consistent color from set to post. Covers camera alignment, HDR support, and LUT export.
Create LUTs with the IBHC Workflow in Resolve
A practical workflow for creating high‑precision LUTs using Hald CLUTs in DaVinci Resolve, even when your grade includes unsupported effects or plugins.
Baselight vs. DaVinci Resolve?
A look at Baselight vs. Resolve to help you choose between high-end dedicated grading and an all-in-one post-production solution.
Filmlights Basegrade
Andy Minuth discuss Basegrade and the evolution of grading tools.
New ARRI LUT
Resolve just implemented a new ARRI LUT in Resolve. Can you notice the differences?
Color Timing
Color timer legend Jim Passion explains the concept of color timing.
Create ARRI Look files
A guide to create custom ARRI looks and export them as Show LUTS from Baselight.
Motion Tracking guide
A walk through of the most common tracking types available in modern compositing applications
Prores vs DNXHR
The ultimate DNxHR and ProRes guide. Which one to use?
Look Breakdown
Get a glimpse of senior colorist Tyler Roth from Company 3, grade parts of a commercial.
technical LUT explanation
Color scientist Mitch Bogdanowicz explains what a LUT is - in technical terms.
Spreadsheets in Avid
Kevin explains how to create spreadsheets with timeline information in Avid.
technical log data explanation
Color scientist Mitch Bogdanowicz explains the difference between working prior or after a LUT - in technical terms.
The visual appearance of skin
Read colorist Marina Starke's bachelor about how to shape skin tones.
CDL explained
A technical explanation of the Color Decision List, by Filmlights tech guru Daniele Siragusano.
Color breakdown in Scratch
Curious how to grade inside of Assimilate Scratch? Watch Tobias Wiedmer create a Day-For-Night-Scene look.
Create ARRI Look files
A guide to create custom ARRI looks and export them as Show LUTS from Baselight.
Motion Tracking guide
A walk through of the most common tracking types available in modern compositing applications