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  1. Alexandre Sadowsky
    Hi all, Grading mainly documentaries, I'm trying to set up the best (or more universal) Resolve Color Management settings. The Input Color Space may vary depending on sources footages. After doing several tests, I think working with Timeline Color Space set to P3-D65 and Rec2100 ST2084 offers a great environnement for projects going both for Rec709 and HDR (even for HLG). Nevertheless, I was wondering if it would be wrong to set the Timeline Color Space to Rec2020 ? Because when testing I felt like the chroma and highlights are nicer in 2020 and I didn't noticed any aberrarations on the scopes. But would it pass the QC ? Still, as nothing can handle the full 2020 spectrum, I've always followed recommendations to limit the Output Gamut to P3-D65 for HDR deliveries. Do you know if the are any change for that ? Have you already delivered HDR in 2020 Color Space ? Any comments or advices from RCM users would be very welcomed.