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Found 8 results

  1. “real editing software” noob. i recently got passed my changing file names mistake.... i have an issue where i think when i drag new clips to my time line and/or a sound track i notice i lose some stuff. am i doing something wrong amongst my multiple layers? to be specific, I Alt+A to move my starting point back to build an intro. Then i begin adding tons of new clips and sounds to the layers at the start of the timeline. i noticed a few times the intro was bleeding into the start of the footage (which means at some point it was there) finally done with the intro, i play it from the start to see it live and then i notice the first bit of footage is missing the original first bit. (this also happened in another later spot of the timeline) i have to possibly RE edit a good amount of stuff. how can recover and/or AVOID doing what i’m doing incorrectly? sorry for the read friends just need to be specific to avoid confusion.
  2. Hey folks, I came across a neat shortcut today, Shift+V, it selects the clip under your playhead, and makes for handy speed life! I quite often have to reframe shots for the various ratios of modern day life (Social Media for example!) and there are times I trip up and forget to select the clip I need to reframe. Shift V fixes that! Proceeds to Move the playhead, shift V, and reframe! Bliss! Protip: Keybind it to something more useful to your workflow, I feel like I never had this problem in Premiere though, it used to know what clip I wanted somehow and I could just zip through the timeline and reframe as I watched! Maybe I'm mis-remembering but... It felt like this and many other things were swifter! If anyone else has some Quality of Life improvements to share I'm all ears; here's some more: 'x' - Creates In/Out points based on selected clip 'Shift+[/]' Trim start / end to playhead 'Cmd+Shift+[/]' Ripple Trim start/end to playhead (Q/W in Premiere)
  3. Hey guys and gals, New to this forum, quick background of myself. Did Audio since 2006 and two years ago gave up audio to do video. Now i am 2 years into video and do everything for my company. I still am having a lot fo trouble learning color correcting and color grading. Im not sure if its my camera, my eyes lol or just not sure what Im doing wrong. I know Ive been filming in AUTO ISO but lately I actuall manually ISO my enviorement. ANy how long does it take to be a good colorist. I am based out of Los angeles if anyone knows anyone who can help !!!
  4. Hey, I've had this problem a couple of times, when I import an XML in Davinci from Premiere a couple of clips come up as a still from the clip. Since I don't know the work around, I would go back to Premiere and export a high res clip from the timeline and grade that. Has anyone experienced this problem before and has the solution? Thanks for your time, Drew
  5. I found this by Noam Kroll: The Unique Finishing Workflow I Used To Grade, Mix, & Master My Feature Film
  6. WOW! Lowepost is true to their word. I post wondering why there is no FCP forum and within hours there IS a FCP forum. I started out with Final Cut Pro v1 and Premier Pro. For whatever reason these programs never clicked with the way I think about story telling. I came from a still photography and animation background, and kept going back to Final Cut up to version 7 for live action shorts. But was never really into it. Tried Premiere Pro again. Still not clicking. Then came FCP 10 which I started my training in 2012 and I was truly excited. It was very different and it clicked! I made my first short with it 2013-1015, but it wasn't until 2018 that I knew there was nothing better for me for editing. I started to my Premiere Pro training in 2018 while working on a very complicated projected, but quickly went back to FCP 10.3. When Resolve 15 was released I spent two months using nothing but Resolve 15 for a whole production (I've used Resolve for color grading since 2014) and at the end of it I went back to FCP 10.4.4 for editing projects. Why? It is just more fun. I just works with the way I think about organizing and my production pipeline. I think it is the best NLE ever, but then again I never bothered much with Media Composer. I don't much like track based editing styles compared to the magnetic timeline. I hope to connect with other FCPx editors here. What do YOU think?
  7. At the risk of being cheeky, I wonder why there is no forum for FCP editors? I came for the Fusion training (really impressed), visit the Resolve forum daily too. I am a subscriber.
  8. Hi all, this tutorial focusses on how to animate a still image. In SCRATCH, all clips are managed in slots - and each slot can have a length, independent from the length of the clip inside. To animate a still (which basically is a one-frame-clip), you need to understand the difference between clip and slot length. No worries, it's an easy one ;-) .