Virgil Edward

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    Professional Color Grading Techniques in DaVinci Resolve

    in The Art of Color Grading

    1 minute ago, Lowepost said:

    The input color space should be set to the camera color space which in this case is Alexa Log C because Alexa footage is used in the example. When it comes to the timeline color space in general, it only affects the "feel" of the controls, so it's purely a matter of taste. From our understanding Alexa Log C is definitely the most common timeline color space used in the professional world and especially among Baselight users.

    Thank you so much! But this is not applicable if the project has different cameras, such as A7s right?

    Professional Color Grading Techniques in DaVinci Resolve

    in The Art of Color Grading

    Hello, thank you for this lessons! It's really helpful!

     

    Quick question though, what's the point of changing your timeline color space in Lesson 13, to Alexa? Is there a benefit for it? For the longest time I haven't touched the timeline color space in DaVinci YRGB color science. 

    Is this still the workflow most professionals use in DaVinci Resolve? How would you do this in an ACES Managed workflow.

     

    Thank you so much!