Nicolas Hanson

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Status Replies posted by Nicolas Hanson

  1. Andy Minuth

    Started working on a new Thriller 'The other side' yesterday. I found some nice toned down looks during my first tests. The film utilises non-linear storytelling a lot. I think I will experiment with different creative white-points for the scenes. 

    1. Nicolas Hanson

      Nicolas Hanson

      Great, I'm looking forward to see your work!

  2. Frank Wylie

    Currently timing:

    "In Caliente" (1935), D. Lloyd Bacon, 35mm, B&W, 1.37:1 Warner Brothers, from the original Nitrate negative, Cinematography by George Barnes and Sol Polito. 

    "Raw Deal" (1948) D. Anthony Mann, 35mm, B&W, 1.37:1, Eagle Lion Studios, from a dupe negative I "bench timed" (eyeball) from a step-contact printed Interpositive. Cinematography by John Alton.

    A show quality 35mm print, Fine Grain Intermediate Positive and Sound Master Positive will be generated for public viewing and archival storage.

    1. Nicolas Hanson

      Nicolas Hanson

      It should be a breeze to learn any of the digital color correctors with your background. Thanks for sharing, I love to read about your projects. 

    2. (See 4 other replies to this status update)

  3. Frank Wylie

    Currently timing:

    "In Caliente" (1935), D. Lloyd Bacon, 35mm, B&W, 1.37:1 Warner Brothers, from the original Nitrate negative, Cinematography by George Barnes and Sol Polito. 

    "Raw Deal" (1948) D. Anthony Mann, 35mm, B&W, 1.37:1, Eagle Lion Studios, from a dupe negative I "bench timed" (eyeball) from a step-contact printed Interpositive. Cinematography by John Alton.

    A show quality 35mm print, Fine Grain Intermediate Positive and Sound Master Positive will be generated for public viewing and archival storage.

    1. Nicolas Hanson

      Nicolas Hanson

      That sounds like an extremely interesting job! I've always been fascinated by photochemical processes, and the old school way of approaching images. Do you use some digital color correctors on some of the old titles as well?

    2. (See 4 other replies to this status update)

  4. Frank Wylie

    Currently timing:

    "In Caliente" (1935), D. Lloyd Bacon, 35mm, B&W, 1.37:1 Warner Brothers, from the original Nitrate negative, Cinematography by George Barnes and Sol Polito. 

    "Raw Deal" (1948) D. Anthony Mann, 35mm, B&W, 1.37:1, Eagle Lion Studios, from a dupe negative I "bench timed" (eyeball) from a step-contact printed Interpositive. Cinematography by John Alton.

    A show quality 35mm print, Fine Grain Intermediate Positive and Sound Master Positive will be generated for public viewing and archival storage.

    1. Nicolas Hanson

      Nicolas Hanson

      Impressive! Who do you work for?

    2. (See 4 other replies to this status update)