Jesper Hammarbäck

Hi @Walter Volpatto I have 2 questions from the tac masterclass

If you have 2-3 different cameras that you want to convert to Alexa colorspace, do you put the color space transform in the camera group or (timeline & clip?)

And the images you used, showed for Alexa, Sony red. (grey 18) do you have them for download?
You also showed a document to be able to download for information

Thank you so much!
Love you work!

//J

@Stig Olsen Please more with the master Walter Volpatto!! 

Walter, about the settings in the resolve color management when you work in log.  (the log space im working on)

Lets say I have Alexa footage, are these settings right then for Rec709.
See attached image.

Just now, Walter Volpatto said:

It will be boring as hell....

hehe not for us I promise you! pleeeease  

He is the best!! I really hope he will do a masterclass 

Hi  Im wondering if you using Calman to calibrate your monitors?

Do you use Rec 709 Gamma 2.4 in the Timeline Color Space in Resolve?

If the client dosent ask for anything else.

Are you often using the standard luts in Resolve like Kodak or I heard you guys making your own luts.

I was wondering how you do your own luts, is it in resolve or another program?

//Jesper

Wow! this is the holy grail! Thank you so much! 😍😀

And if I am correct you also make adjustments to the look at the "trim" node? 
(Only if the client wants it?)

Hey Walter, one more hehe
in the base node, do you often use the printer light or Curves?
What do you prefer?

//Jesper

13 minutes ago, Walter Volpatto said:

Lut, Look, whatever is appropriate for the project.

You most work in YRGB or Color managed?
Or maybe ACEScct?
Would love to hear how you think about the Color Management.

I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4.

Like a dream come true!
Do you often start work with a LUT (log - rec709) in timeline when you do the base grade?

Where do I apply for a job  

Love your work!

//Jesper