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Course Comments posted by Tom Evans
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Very useful insight and lots of new techniques to experiment with, thanks!
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Will definitely give Baselight a try, thank you Josh and Lowepost.
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42 minutes ago, Deiontrez Mount said:
do you know of any resources where I can learn this part of the workflow ?
Lee demo this workflow in several of his classes here on Lowepost. You simply bring the log shot into Fusion or whatever compositing app you are using and key under a LUT. Apply the LUT, key the shot and remove the LUT when you're done and ready to render. It's nothing else you need to know really.
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13 minutes ago, Deiontrez Mount said:
How do I deliver a color corrected images so it can be easier to key?
That's not your problem, they will apply whatever transform is necessary before they do their keywork and remove the transform when sending the file back to you.
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6 hours ago, Deiontrez Mount said:
Could you point me in the right direction ?
Deliver the log image, original file or flat pass render.
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Love this, thank you Mark and. Lowepost.
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On 2/4/2022 at 6:58 PM, Richard Durkin said:
Should the HDR Colour Space and Gamma submenus be set to the Timeline colourspace (default) or is the tool more accurate if it is set to the Input / camera Colour Space .
The color space and gamma should be set to match your camera, so if you work with Alexa it should be set to Arri Alexa + Arri Log C. If your timeline is set to Alexa you don't have to change, but if your project is set up to something else you need to change.
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On 12/9/2021 at 4:07 AM, Maximo Zhang said:
Do you have any courses on here that you recommend?
I do recommend the Professional Color Grading Course by Kevin. You need the very basics there as well, but it takes you through how to best approach exposure and balance and that's what you need to get started. If you have no clue about how to ingest footage, what the different wheels does etc, you should go see the basic training videos released by BlackMagic Design.
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12 minutes ago, Dean Evans said:
Thanks for still having this course available! Any chance of getting the videos at a higher resolution? It's hard for me to see the details.
Very detailed and crisp here, sometimes Safari blur videos a bit. Can you check Chrome?
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21 minutes ago, Thomas d'Auteuil said:
this masterclass felt more theoretical than practical.
I do agree, but I feel that's the point with these - to get in their minds more than learning what buttons to push.
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6 hours ago, Ben Federman said:
Is there a reason to keep apply 3DLUT and apply CDL disabled like you say
Maybe rephrase the questions a bit? Not sure I get what you are asking.
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13 hours ago, stephen Mylonas said:
I have heard from this video that you can or should grade in REC709 then if needed expand to HDR later for deliver if needed.
https://www.youtube.com/watch?v=OZUkrbaLf4A&list=PL0tE4-pMS473Wwr7LcSYmw8XfIpfhdE26&index=23
Just to make sure you are using the correct phrasing to avoid confusion... the display color space should be set to rec709 but he recommends that you set the working colorspace (timeline colorspace) to Arri Log C.
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I learned a lot from this course, thank you Lee!
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Extremely well done course, very useful techniques that can be used on a variety of problem shots.
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On 10/29/2020 at 8:32 PM, Lee Lanier said:
The tracker seems to track the PNG image pretty well but about halfway through the clip the PNG image suddenly disappears
This is a software bug. Resolve is in general buggy when it comes to PNG images, also in the edit and color module.
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56 minutes ago, Evgeniy Shkolenko said:
Hello thank you for this tutorial.
Tell please what is the difference between primary wheels panel and log panel?
Log controls are mainly designed for log images and you can manually set how wide or narrow range you want to affect with your corrections.
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1 hour ago, Dimitrios Papagiannis said:
You mentioned that you like to work in linear. Where do you get in and out of linear?
In this case he just means working with the log tools when going out of linear.
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Mocha is superior when it comes to screen replacements!
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Nice one! Super solid masterclass, thanks John!
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Thank you Derek. I really do admire your work and think you had one of the most interesting reels over at The Mill those years. The looks you created was always inspiring and I often bring some of the old frames up for reference in my work.
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6 hours ago, Benjamin Lim said:
-is there a reason we use bouncing (which I understand as shifting the lift and gamma in different directions to create an intended colour which is a mix of the two) versus simply using offset?
Benjamin, If you decided to build on the look you have there by adding more cold into the shadows and warmth into the midtones, what controls would you use? That you can get to the same place with two different tools doesn't mean it's always like that.
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Creative Grading Strategies with Dylan Hopkin
in Color Grading Masterclasses
Amazing masterclass, exceptionally well made! Thanks Dylan and Lowepost.