Maria Karanam
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Course Comments posted by Maria Karanam
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Did anybody notice when working with RED footage in ACES workflow vs applying the REC 709 IPP2 lut there is a contrast and hue difference? Easily noticeable in skin tones.
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9 minutes ago, Josh Petok said:
This course is amazing. Thanks so much for putting it out!
In lesson 7 at about 4:04, Kevin is grading before the Arri LUT. I noticed as he moves the blue offset back and forth, the red and green channels are effected as well. Is this an exposure compensation? In Baselight, FilmGrade has the ability to turn off "maintain density" to avoid this. Is there something similar in Resolve?
Thanks again!
I thought setting Luma mix to zero when Sat is at 50 will not affect other channels. Forgive me if i am wrong.
Professional Color Grading Techniques in DaVinci Resolve
in The Art of Color Grading
How does your last node look like in the gamut map?