Grading Monitors

    Grading Monitors

The market is full of color grading monitors, and it is almost impossible to differentiate them without a deep understanding of display technology and using hours of reseach.

There are a lot of considerations to take into account when choosing a monitor and you can choose from different display resolutions, gamma & gamuts, inputs, screen sizes, viewing angles and contrast ratios.

To make this easier for you, we have created a list of the most common color critical monitors used by the professional colorist community.

    • $45000 USD
    • $40000 USD
    • $20000 USD
    • $7995 USD
    • $10000 USD
    • $3995 USD
    • $6495 USD
    • $2715 USD
    • $5376 USD
Pricing disclaimer: All prices are estimations and might not reflect the final price. Different stores can ask different prices and might change the prices at any time.
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  • Our picks

    • Today we released Play Pro - an improved version of the old SCRATCH Play.
      Play Pro now supports SDI-output, pretty stellar h264/h265 encoding, as well as ProRes encoding on Windows.
      It's a nice tool to have handy for e.g. dailies review, or simpler transcoding jobs (e.g. for delivery).
      Starting at 19 bucks a month, it's pretty affordable as well 🙂 .
        • Like
      • 7 replies
    • Now that this community has started to get some users I thought it was time to encourage you all to post an image of your suite? 
      • 17 replies
    • Hi everyone. I want to ask you which soft is the best in film industry for color grading Baselight or Davinci.I have been using Davinci for 5 years and now I'm interested to work with Baselight as well.
      Thank you in advance.
        • Like
      • 43 replies
    • I came across this Scratch tutorial about beauty retouching. In still photography, retouchers often tend to use cloning, healing and B/D techniques. What is your approach to beauty work?

        • Like
      • 39 replies
    • In a blockbuster film or tv series what is the average time of color correction?

      Sometimes I think we run so much due to the term of the channels and producers here in Brazil.

      How do you work when you receive a material to create the look?
        • Like
      • 23 replies